By: Hermann Hesse
Intro:
Did you know Steppenwolf, the band that wrote Born to Be Wild and Magic Carpet Ride, took their name straight from a 1929 Hermann Hesse novel?
A tad heavy at the start, it picks up speed, the concept of your “personality” and “self” start to splinter, and then pieces of you are everywhere and going a thousand miles an hour as, for a moment, you glimpse eternity.
A real philosophical trip, I had no idea novels so “spiritual,” psychedelic, and masterfully written were coming out of anybody in the 1920’s.
Along with Siddhartha, this is the second Hesse novel added to my Bookshelf. Hesse is a master and mentor from another age. I bow with gratitude to the dude for refining timeless, golden wisdom into such stirring, striking story.
My Favorite Quotes:
“I have no doubt that they are for the most part fictitious, not, however, in the sense of arbitrary invention. They are rather deeply lived spiritual events which he has attempted to express by giving them the form of tangible experiences.”
“The human merry-go-round sees many changes: the illusion that cost India the efforts of thousands of years to unmask is the same illusion that the West has labored just as hard to maintain and strengthen.”
“As for the way to true manhood, the way to the immortals, he has, it is true, an inkling of it and starts upon it now and then for a few hesitating steps and pays for them with much suffering and many pangs of loneliness. But as for striving with assurance, in response to that supreme demand, towards the genuine manhood of the spirit, and going the one narrow way to immortality, he is deeply afraid of it. He knows too well that it leads to greater sufferings, to proscription, to the last renunciation, perhaps to the scaffold, and even he is still unwilling to suffer all these sufferings and die all these deaths. Though the goal of manhood is better known to him than the bourgeois, still he shuts his eyes. He is resolved to forget that the desperate clinging to the self and the desperate clinging to life are the surest ways to eternal death, while the power to die, to strip one’s self naked, and the eternal surrender of the self bring immortality with them. When we worships his favorites among the immortals, Mozart, perchance, he always looks at him in the long run through bourgeois eyes. His tendency is to explain Mozart’s perfected being, just as a schoolmaster would, as a supreme and special gift rather than as the outcome of his immense powers of surrender and suffering, of his indifference to the ideals of the bourgeois, and his patience under that last extremity of loneliness which rarefies the atmosphere of the bourgeois world to an ice cold ether, around those who suffer to become men, that loneliness of the Garden of Gethsemane.”
“Instead of narrowing your world and simplifying your soul, you will have to absorb more and more of the world and at last take all of it up in your painfully expanded soul, if you are ever to find peace. This is the road that the Buddha and every great man has gone, whether consciously or not, insofar as fortune favored his quest. All births mean separation from the All, the confinement within limitation, the separation from God, the pangs of being born ever anew. The return into the All, the dissolution of painful individuation, the reunion with God means the expansion of the soul until it is able once more to embrace the All.”
“I like that very much,” cried Hermine. “In your case, for example, the spiritual part is very highly developed, and so you are very backward in all the little arts of living. Harry, the thinker, is a hundred years old, but Harry, the dancer, is scarcely half a day old. It’s he we want to bring on, and all his little brothers who are just as little and stupid and stunted as he is.”
“It is what I call eternity. The pious call it the kingdom of God. I say to myself: all we who ask too much and have a dimension too many could not contrive to live at all if there were not another air to breathe outside the air of this world, if there were not eternity at the back of time; and this is the kingdom of truth. The music of Mozart belongs there and the poetry of your great poets. The saints, too, belong there, who have worked wonders and suffered martyrdom and given a great example to men… The communion of the saints, in earlier times it was set by painters in a golden heaven, shining, beautiful, and full of peace and it is nothing else but what I meant a moment ago when I called it eternity. It is the kingdom on the other side of time and appearances. It is there we belong. There is our home. It is that which our heart strives for. And for that reason, we long for death.”
“Was it not perhaps I who made him talk, spoke, indeed, with his voice? Was it not, too, my own soul that contemplated me out of his black eyes like a lost and frightened bird, just as it had out of Hermine’s grey ones?”
“You were striving, were you not, for escape? You have a longing to forsake this world and its reality and to penetrate to a reality more native to you, to a world beyond time. You know, of course, where this other world lies hidden. It is the world of your own soul that you seek. Only within yourself exists that other reality for which you long. I can give you nothing that has not already its being within yourself. I can throw open to you no picture gallery but your own soul. All I can give you is the opportunity, the impulse, the key. I can help you make your own world visible. That is all.”
“You would be checked and blinded at every turn by what you are pleased to call your personality. You have no doubt guessed long since that the conquest of time and the escape from reality, or however else it may be that you choose to describe your longing, means simply the wish to be relieved of your so-called personality. That is the prison where you lie. And if you were to enter the theater as you are, you would see everything through the eyes of Harry and the old spectacles of the Steppenwolf. You are therefore requested to lay these spectacles aside and to be so kind as to leave your highly esteemed personality here in the cloakroom where you will find it again when you wish.”
“Now, true humor begins when a man ceases to take himself seriously.”
“The mistaken and unhappy notion that man is an enduring unity is known to you. It is also known to you that man consists of a multitude of souls, of numerous selves. The separation of the unity of the personality into these numerous pieces passes for madness. Science has invented the name schizomania for it. Science is in this so far right as no multiplicity may be dealt with unless there be a series, a certain order and grouping. It is wrong insofar as it holds that one only and binding and lifelong order is possible for the multiplicity of subordinate selves. This error of science has many unpleasant consequences, and the single advantage of simplifying the work of the state-appointed pastors and masters and saving them the labors of original thought. In consequence of this error many persons pass for normal, and indeed for highly valuable members of society, who are incurably mad; and many, on the other hand, are looked upon as mad who are geniuses. Hence it is that we supplement the imperfect psychology of science by the conception that we call the art of building up the soul. We demonstrate to anyone whose soul has fallen to pieces that he can rearrange these pieces of a previous self in what order he pleases, and so attain to an endless multiplicity of moves in the game of life. As the playwright shapes a drama from a handful of characters, so do we from the pieces of the disintegrated self build up ever new groups, with ever new interplay and suspense, and new situations that are eternally inexhaustible. Look!”
“When you listen to the radio you are a witness of the everlasting war between idea and appearance, between time and eternity, between human and the divine. Exactly, my dear sir, as the radio for ten minutes together projects the most lovely music without regard into the most impossible places, into respectable drawing rooms and attics and into the midst of chattering, guzzling, yawning and sleeping listeners, and exactly as it strips this music of its sensuous beauty, spoils and scratches and beslimes it and yet cannot altogether destroy its spirit, just so does life, the so called reality, deal with the sublime picture-play of the world and make a hurley-burley of it. It makes its unappetizing tone—slime of the most magic orchestral music. Everywhere it obtrudes its mechanism, its activity, its dreary exigencies and vanity between the ideal and the real, between orchestra and ear. All life is so, my child, and we must let it be so; and, if we are not asses, laugh at it. It little becomes people like you to be critics of radio or of life either. Better to learn to listen first! Learn what is to be taken seriously and laugh at the rest.”
“I knew that all the hundred thousand pieces of life’s game were in my pocket. A glimpse of its meaning had stirred my reason and I was determined to begin the game afresh. I would sample its tortures once more and shudder again at its senselessness. I would traverse not once more, but often, the hell of my inner being. One day I would be a better hand at the game. One day I would learn how to laugh. Pablo was waiting for me, and Mozart too.”